Our Sunhi, directed by Hong Sang-Soo, is yet another of his very talky, character-driven films with a minimalist plot. It centers around Sunhi (Jung Yumi), a former film school student who visits her school to get a letter of recommendation from her professor. She ends up in a romantic love triangle between him, her ex-boyfriend, and a film director. Sang-Soo moves the film along at a leisurely pace and, admittedly, it takes a while for it to get interesting because the first act is quite lengthy. You might find yourself wondering what the film is actually about, but as it progresses, its point as well as its conflicts become clearer. There are also a few pockets of depth and gentle comic relief, so patient viewers will be rewarded.

      One of the most unique and bold films of the series is Fat Shaker which will surely be divisive given it seemingly anarchic, formless plot about an obese father and his son who team up to extort money from young woman, but their illegal scheme as well as their father-son relationship evolve after they meet a mysterious woman who enters their lives. Writer/director Mohammad Shirvani takes risks even during the opening scene that's quite grotesque and icky much like many other images you'll see later on. Many of those images, though, will be hard to forget despite how ugly and bizarre they are. There's plenty of symbolisms some of which are perplexing like a turkey that shows up inside the father's house. You've probably never seen a movie like this one before, so good luck comparing this to any other film. It's the kind of film that must be experienced to be truly understood; describing it wouldn't do it any justice.